
Bamboo
Grown in river-valley groves and cut at maturity — light in the hand, quietly stronger than it looks.
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Where rivers, forests and living craft traditions meet.
River valleys, forest edges and wetland beds give Assam the growing conditions that bamboo, cane and kauna need to reach full height.
Weaving is still practised in working households here, part of everyday life rather than a revival or a museum exhibit.
How to read a culm, when to cut a reed, how much tension a weave will hold — this knowledge is learned by hand, from those who came before.
Assam sits along the Brahmaputra, a river wide enough to shape the weather around it. Monsoon rain arrives for months at a time, and the warmth that follows keeps the valley green long after the water has drawn back.
That combination is unusually good for fibre. Bamboo rises in dense groves along the floodplain. Cane climbs through the forest canopy at the valley's edge. Kauna stands in the shallow wetlands, cut once a year when the reed has firmed but not hardened.
Because the materials grow close to where they are worked, the craft follows the land's calendar rather than a production schedule. Harvest, drying and weaving each belong to their own season — and the finished piece carries that pace with it.



Grown in river-valley groves and cut at maturity — light in the hand, quietly stronger than it looks.
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Drawn from climbing palms at the forest edge, split into fine strands and worked damp until it sets.
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Cut from still-water wetland beds and sun-dried in open air, giving a soft, cushioned woven surface.
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Precision refined through generations — splitting, conditioning and weaving strands of even width.
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Flexible forms shaped entirely by hand, steamed into curves and bound at every joint.
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Wetland fibres braided and coiled into contemporary forms, row by patient row.
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Working with a natural fibre begins long before the weave. It begins with knowing which grove has hardened, which reed bed is ready, and how a season of unusual rain will change the way a strand behaves once it dries.
That knowledge belongs to the place as much as to the maker. It is specific to these rivers, these forests and these wetlands — and it is why a piece made here cannot simply be reproduced somewhere else.
Pieces from this region are currently being finished. Explore the wider collection while new work is prepared.

Bamboo, cane and kauna grass — where each material comes from and how it behaves.
Explore MaterialsThe weaving traditions behind every piece, and the skill each one asks for.
Explore CraftLighting, living and décor — the finished pieces shaped by these hands.
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